Henning Schmidgen is Professor of Media Studies and the History of Science at Bauhaus University in Weimar, Germany. He studied psychology, philosophy and linguistics in Berlin and Paris. From 1997 to 2011, he was postdoctoral researcher at the Max Planck Institute for the History of Science (Dept. Rheinberger). Between 2011 and 2014 he was professor of media aesthetics at the University of Regensburg. Schmidgen has worked extensively on machines in the philosophy of Deleuze and Guattari, concepts in Georges Canguilhem’s epistemology, and the problem of time in physiology and psychology. His research is published by journals such as Isis, Grey Room, and Theory, Culture and Society. Among his books are The Helmholtz-Curves. Tracing Lost Time (2014), Bruno Latour in Pieces (2014) and The Guattari Tapes (Leipzig 2019). Together with Rebekka Ladewig, he edited a special issue of Body & Society, devoted to "Symmetries of Touch. Reconsidering Tactility in the Age of Ubiquitous Computing“ (2022).
Chris Salter is Professor for Immersive Arts and Director of the Immersive Arts Space at the Zurich University of the Arts (ZHdK). He is also Professor Emeritus, Design and Computation Arts at Concordia University in Montreal and former Co-Director of the Hexagram network for research-creation in arts, cultures and technology which he led between 2014-2022 and Co-Founder of the Milieux Institute at Concordia. He studied philosophy and economics and completed his PhD in theatre studies with research in computer music at Stanford University. His artistic and research work is at the intersection of media arts, performance theory, STS and media studies. His artistic work has been seen all over the world at such venues as the Venice Architecture Biennale, Barbican Centre, Berliner Festspiele, Wiener Festwochen, ZKM, Kunstfest Weimar, Musée d’art Contemporain, Muffathalle, EXIT Festival and Place des Arts-Montreal, among many others. He has given over 100 talks internationally and is the author of Entangled: Technology and the Transformation of Performance ( 2010), Alien Agency: Experimental Encounters with Art in the Making (2015) and Sensing Machines (2022), all from the MIT Press.
Bernard Dionysius Geoghegan is Reader in the history and theory of digital media at King’s College London. An overarching theme of his research is how “cultural” sciences shape—and are shaped by—digital technologies. This concern spans his writing on the mutual constitution of cybernetics and the human sciences, ethnicity and AI, and the role of mid-twentieth century military vigilance in the development of interactive, multimedia computing. His attention to cultural factors in technical systems also figured in his work as a curator, notably for the Anthropocene and Technosphere projects at the Haus der Kulturen der Welt.
Matthew L. Jones is James R. Barker Professor of Contemporary Civilization in the Department of History, Columbia University, New York. He will be joining Princeton University in summer 2023. Norton has just published his How Data Happened: A History from the Age of Reason to the Age of Algorithms, written with Chris Wiggins. He has published two books previously, Reckoning with Matter: Calculating Machines, Innovation, and Thinking about Thinking from Pascal to Babbage and The Good Life in the Scientific Revolution: Descartes, Pascal, Leibniz and the Cultivation of Virtue (both with Chicago). He has received fellowships from the Mellon Foundation, the Guggenheim Foundation, and the National Science Foundation, among others.